• maeries@feddit.de
      link
      fedilink
      arrow-up
      0
      ·
      1 year ago

      Actually it won’t. A movie on a 4k blu ray is around 80gb without additional compression. And Oppenheimer is shot on 70mm which is more like 8k resolution. Still would fit on a micro SD of course

  • remer@lemmy.ml
    link
    fedilink
    arrow-up
    3
    ·
    1 year ago

    I didn’t realize imax was still film. I figured it went digital with everything else.

  • arthurpizza@lemmy.world
    link
    fedilink
    arrow-up
    2
    ·
    1 year ago

    Some things to keep in mind about the theater experience.

    • Only a handful of theaters do film IMAX anymore. A lot of IMAX locations are just 4k DCP (Digital Cinema Package)
    • Most theaters in the world are digital projectors with a max resolution of 1998x1080 or 2048x858

    Part of the reason these factors still exist is cost. A poorly maintained film projector with a lousy film print can ruin a movie going experience. Hollywood would sometimes release so very shitty prints. The digital projectors are much easier to maintain so the experience is often more ideal for the average movie goer.

    Having said that, if a theater takes good care of their film projectors and they have a well made and well kept print, the experience can be amazing.

    • atempuser23@lemmy.world
      link
      fedilink
      English
      arrow-up
      1
      ·
      edit-2
      1 year ago

      If you can see the film print in the opening week. Christopher Nolan makes his movies in an analog way. So it is a film process all the way though except for VFX. This is one of the only opportunities to see film that was not digitally modified. Only one place in the world can make these imax 70mm film prints and they are all basically hand made. EDIT: link changed to piped link. https://piped.video/watch?v=xa1xJIgLzFk

      2k digital projection is typically used in smaller theaters where the screen size is not large enough for anyone to actually see a difference.

  • Tygr@lemmy.world
    link
    fedilink
    arrow-up
    2
    ·
    1 year ago

    If I pay to see a movie in an IMAX theater, this is the film being loaded? Is this normal for IMAX?

  • FatherOfHoodoo@lemmy.world
    link
    fedilink
    arrow-up
    1
    ·
    1 year ago

    This reminds me of one of those documentaries where they show some ridiculous mechanical contraption in a scene, and the narrator says, “Before the technology became extinct, it had become vastly more complex and sophisticated, but alas, it’s days were numbered…”

    • Adori@lemmy.world
      link
      fedilink
      arrow-up
      0
      ·
      1 year ago

      Imax film is some of the highest resolution formats we have it’s like 16k resolution, and using that for a projector gets ya some really good quality.

      • *dust.sys@lemmy.world
        link
        fedilink
        arrow-up
        0
        ·
        1 year ago

        Quality so good they can come back to it 20 years from now when blu-ray is an outdated format to make a higher-quality home release, like what’s been done with VHS to DVD or DVD to BD

  • Mongostein@lemmy.ca
    link
    fedilink
    arrow-up
    0
    ·
    1 year ago

    What’s the point of even doing it on film if it was shot digitally?

    Or did they go through the whole process using analog technology? I don’t know much about this movie.

      • average650@lemmy.world
        link
        fedilink
        arrow-up
        0
        ·
        1 year ago

        I don’t think there’s any reason we couldn’t make a store 18k video.

        And we could make screen at much higher resolutions that that at imax size, or even quite a bit smaller, though I suspect it would be absurdly expensive.

        • fidodo@lemm.ee
          link
          fedilink
          arrow-up
          0
          ·
          1 year ago

          Storing it isn’t the problem, you’ll still need to be able to record and project at that resolution.

          • average650@lemmy.world
            link
            fedilink
            arrow-up
            0
            ·
            1 year ago

            As I said I’m sure we could make screens that could do that. They would be absurdly expensive and heavy and stupid, but it could be done. Not worth it though.

            And it looks like at least 16k cameras have been made.

            https://youtu.be/oIhCyPaDP6g

            • BURN@lemmy.world
              link
              fedilink
              arrow-up
              0
              ·
              1 year ago

              The screens aren’t the problem. It’s often the hardware driving it. The current top generation of gaming gpus struggles at 8k. There’s very little chance of being able to render and play 16/18k

      • Shurimal@kbin.social
        link
        fedilink
        arrow-up
        0
        ·
        1 year ago

        Wasn’t normal 35mm film about the equivalent of somewhere between 4k and 8k depending on the film stock?

        Plus, the projector optics will always limit the sharpness of the picture. No lense is ideal, and even ideal lenses would have fundamental limitations due to diffraction.

        • hungry_freaks_daddy@lemm.ee
          link
          fedilink
          arrow-up
          0
          ·
          1 year ago

          Something like that.

          As far as lens optics, we’re really splitting hairs here. 70mm through a quality lens in an imax theater is going to look absolutely fantastic and stunning. Digital is just more convenient and at some point it will catch up and surpass film.

          • Shurimal@kbin.social
            link
            fedilink
            arrow-up
            1
            ·
            1 year ago

            My point was more like that even IMAX film doesn’t quite get to 18k equivalent, more like 12 to 16k. Honestly, anything above 4k (for normal widescreen content) even on big screens is barely noticeable if noticeable at all. THX recommends that the screen should cover 40° of your FOV; IMAX is what, 70°, so 8k for it is already good enough. Extra resolution is not useful if human eye can’t tell the difference; it just gets to the meaningless bragging rights territory like 192 kHz audio and DAC-s with 140 dB+ S/N ratio. Contrast, black levels, shadow details, color accuracy are IMO more important than raw resolution at which modern 8k cameras are good enough and 16k digital cameras will be more than plenty.

    • fernfrost@lemmy.world
      link
      fedilink
      arrow-up
      0
      arrow-down
      1
      ·
      1 year ago

      Resolution and color reproduction is still unmatched. Plus there are a lot of things happening in the analog domain that our eyes notice as beautiful.

      Same thing is true for analog vs digital music production btw

      • average650@lemmy.world
        link
        fedilink
        arrow-up
        1
        ·
        edit-2
        1 year ago

        I can’t speak for video, but for audio production that isn’t true. Audio signals can be perfectly reproduced, up to some frequency determined by the sample rate and up to some noise floor determined by the bit depth, digitally. Set that frequency well beyond that of human hearings and set that noise floor beyond what tape can do or what other factors determine, and you get perfect reproduction.

        See here. https://youtu.be/UqiBJbREUgU

  • Plaid_Kaleidoscooe@lemmy.world
    link
    fedilink
    arrow-up
    0
    ·
    1 year ago

    This is insane. I want to go watch this in IMAX so badly, but there are no IMAX theaters anywhere near me. Maybe one day I’ll get a chance. Do they ever reshow older IMAX movies? Like, I would kill to go back and see Interstellar or Dark Knight.

    • Rodeo@lemmy.ca
      link
      fedilink
      arrow-up
      0
      ·
      1 year ago

      Why do people get so hyped for IMAX? There’s gotta be something more to it than just an even bigger screen, right?

      • Moose@moose.best
        link
        fedilink
        arrow-up
        0
        ·
        1 year ago

        The confusing part is there are different types of IMAX’s. My nearest cinema has IMAX screens but they are just slightly larger theatre screens for the most part. But downtown there’s a 70mm film IMAX and if a film was made for it, I’ll go out of my way to see it there - Interstellar and Dunkirk come to mind. Seats are closer to the screen and the aspect ratio is more square, and film just has a certain charm to it.

        • axtualdave@lemmy.world
          link
          fedilink
          arrow-up
          1
          ·
          1 year ago

          Many years ago, I ended up with a membership to a local museum that had a OMNIMAX theater, which is IMAX, but with a dome and a fisheye lens is used ot shoot the film. The projector is, essentially, in the middle of the room and shoots “up” at the screen / dome at about a 45 degree angle. The net result is the film is pretty much half-a-sphere in front of you. Your entire field of vision is filled by the media.

          They almost always showed educational films or documentaries specifically filmed for the format. I specifically recall some stupid one about snowboarding of all things, which was really just an excuse for the filmmakers to go snowboarding and ride helicopters with an expensive movie camera in the mountains. It’s very, very cool.

          Even if there aren’t any major studio movies made for these theaters, if you ever get a chance to see something on one of the few left in operation, take it. Totally worth it.

    • Bucket_of_Truth@lemmy.world
      link
      fedilink
      arrow-up
      0
      ·
      edit-2
      1 year ago

      Probably not. 3 hours of uncompressed 1080p video is around 2tb. The film is closer to 16k which is 64 times more pixels than 1080p. This ain’t your web rip off pirate bay.

      • JackbyDev@programming.dev
        link
        fedilink
        arrow-up
        0
        ·
        1 year ago

        Surely even a lossless compression is incredibly smaller. (But you can’t truly losslessly convert from film to digital, only commenting on uncompressed 1080p.)

        • hughperman@mander.xyz
          link
          fedilink
          arrow-up
          0
          ·
          1 year ago

          However, let’s not forget the whole thing was created digitally then “printed” to film, so there was never a “film original”.

          • TheOptimalGPU@lemmy.rentadrunk.org
            link
            fedilink
            arrow-up
            0
            ·
            1 year ago

            He uses the camera negative as much as possible and avoids CGI as much as possible so a lot of film hasn’t been digitised and reprinted it’s from the actual source.

              • CeruleanRuin@lemmy.one
                link
                fedilink
                arrow-up
                1
                ·
                1 year ago

                Christopher Nolan is famously one of the few big Hollywood directors who still shoots much of his footage on actual film, specifically in IMAX.