That’s a whiplash.
If my monsters are imagined, why do they trigger the motion sensor lights?
That’s a whiplash.
It’s the type of trash that I really like but the love interests thirsting for a kid half their age is off-putting. I hope this will be put more into the background.
It’s a slow burn for sure.
The track list made me chuckle. But the Walkman Fu was using was from 1979, so the production team get a bonk for not using songs from the right year. Or maybe it took 1-2 years for the songs to reach Japanse shores. In which case I haven’t said anything.
No, definitely wouldn’t have made it better. But I still feel unsatisfied with such an important point just omitted. Aya died in her mid 60s so there could have been a lot of possible explanations given for her passing, but at the same time it’s young enough that I am left wondering what the reason was.
They could have made it even worse. They didn’t say why Aya passed away at such a young age. Let me spin you a story:
Since she obviously didn’t make it big time and only played a single concert in a shady club in NY, she got disillusioned when hear dream didn’t come true. She found solace in drugs and an abusive boyfriend who pimped her out. One of those customers beat her to death in a drug induced rage when she tried to steal some of his drugs for her own addiction. The club owner only has her guitar because she pawned it off early on. As to why it was special to him… he was the boyfriend how pimped her out and he’s remorseful for indirectly causing her death. 3 days after Fu brought back those memories a he gets found by those band members we saw in the episode with an overdose and a suicide note saying just “sorry”. And it could all have taken a different turn if only Fu had confided in Aya back then.
I loved the first episode. It felt so fresh for the isekai genre. But now by episode 3 I’m over the gimmick and bored. The introduction of those cliche villains at the end there wasn’t helping either. The demon daughter (I assume) was the only thing I found interesting this episode.
I really like that Aqua got humanized. So far he only came across as this calculating revenge machine without any human emotion. To me he’s always been an unlikeable character. But showing him now actually suffering from losing his mom, makes him more likable to me. It’s not nice to say “hey, I like you better with PTSD” but it is what it is.
Akane seems like a genuinely good person to me and I hope her love will be returned at some point.
I will never understand how anyone can see that kind of CGi and then say “okay, let’s go with that”. I mean, it’s still too good for that trash of a series but damn it’s bad.
Also see how everyone in this world is either a rapist, murderer, torturer, manipulative OR a good looking female with the purest of souls? Let’s just say this is a reccuring theme.
I had hoped that they would get rid of the vtuber model in real life thing they had going and would explore more about the world of vtubing with all the positives and negatives that entails. As it stands it’s just the setting as a background for cheap alcohol jokes and feels incredible disingenuous to the vtuber fandom. I actually feel kinda pissed off by it, so it’s a hard drop for me.
As a self entitles source reader snob I often shit about anime adaptations of titles that I love. This whole arc with Abiko is so relatable, especially her hate for deviations from the source. But I will try to be less harsh in the future now that I understand better how those changes come to be.
Hopefully we’ll get a taste in the next episode.
I suppose we have to wait for episode 4 for that. I like the slow pace though. As a source reader it’s nice to see an adaptation that isn’t rushed to hell and back for once.
Some unsorted notes:
This is a lo tmore entertaining than I thought it would be. I can see this becoming one of the few shows that I’kll keep watching all through the end.
I love every frame of this. I think I found my anime of the season.
MC is basically Yukihana Lamy from Hololive who started out like MC but dropped the good girl act after the introduction of alcohol. She has her own brand of Sake by now (which even won a bronze award at an international wine competition. I wouldn’t be surprised to see something like this reflected here further down.)
Hikari is Oozora Subaru (different Gen but Hololive as well) and the game she played is a real one that Subaru played.
There are a lot of other references like the software used for example, and most likely a ton of others that I missed since I follow JP vtubers only via clip highlights or special events.
I’m unhappy with this to an absurd degree. The references clearly show that they know the scene. But why do they completely skip the whole concept of the person behind the screen being different from the character on the screen? Why do we see her vtuber model in the IRL parts? There even was the whole 3d sequence with the spinning face which was presumably designed at first to show off the IRL character looking different from the onscreen model before someone decided that the people watching are too stupid to deal with a single character having 2 completely different looks. And now we have a IRL character running around with their vtuber model looks and costume. As someone deep, deep into the vtuber rabbit hole this pisses me of more than I can put into words.
I also don’t know how funny this is to someone not familiar with the people parodied here. I could imagine they will have the same experience watching this as I have watching OPM.
I was hoping for a cute isekai from a parent’s POV but this is just generic isekai slog. It’s not exactly offending in any way so I might keep watching anyway, but it’s the type of show I have to remember that it exist from week to week.
Kirin! KI-RIN! Not Deer!
No not even close. The first season adapted only 2 volumes of the light novel which has currently 15 volumes.