This seems to be a non sequitur. OP is asking about where to live not where to find employment.
There are visas under the free trade agreement with the US and Mexico that enable movement of employees between the three countries. These have been in place since the 1990s.
She brought such positive energy to fans during her time on Discover.
Her Twitter was full of enthusiasm. CBS was so much less limiting of the actors’ social media engagement. Paramount really hasn’t done well by limiting engagement to the EPs.
It’s unfortunate there hasn’t been opportunity for her appear in Strange New Worlds.
It sounds like he was in premed when he met his wife, but then went on a different track while she became a physician.
I have been working up to making one of the Pokemon in this book.
Thanks for sharing - I am all the more motivated now!
Controlled technology and not easily built from scratch even by Starfleet engineers.
The Relaunch novelverse expanded the concept and importance of industrial replicators. When Voyager returned to the Delta Quadrant, she led an small ‘Full Circle’ fleet that included a large engineering ship that did have industrial replicators large enough to reconstruct ships when severely damaged.
Lowere Decks and Prodigy have brought industrial replicators into onscreen canon.
Prodigy gave the Protostar prototype ship an industrial replicator large enough to construct shuttles. Lower Decks has shown the Cerritos and other ships tasked with delivering and bringing online very large industrial replicators on planets seeking Federation support.
It feels like the chose them to fill in the gaps in the collections of fans across every show and the movies - but also to profile legacy characters featured in new productions.
Rachel Garrett is surely there because of S31 and Jellico is more popular than ever after Prodigy.
Most structural starship components would require large industrial replicators.
These seem to always be centrally located and powered.
What someone can do with a small home model would be quite different.
It’s pretty odd that an NBCUniversal event is bringing two Paramount Global fandoms (D&D, Star Trek).
What about the option of the original black and white recording of ‘The Cage’ with the colour portions from ‘The Menagerie’ spliced in, as released to videotape in thr 80s?
That was the real Star Trek. Roddenberry even took it to cons in the 70s and 80s to let fans know what he really wanted to put on the air.
No joke, and the story has legs internationally regrettably.
This isn’t 10 or 15 years ago when global stock video clips were just taking off standard resource in ad company toolboxes.
I’m not unhappy that Starfleet Academy has been holding back on callbacks of Discovery legacy characters.
As we saw with DS9, sometimes it’s better to let the new characters have some time to establish themselves and settle down before confronting them with former main cast legacies. Otherwise, what’s intended to help a new show get established can sometimes do the opposite.
Can anyone really cite a first season major legacy character appearance that boosted a new show and is considered a strong entry in hindsight?
The only one that comes to mind for me is Riker and Troi’s appearance in ‘Nepenthe’ in season one of Picard.
I bought season two of Prodigy in Canada from AppleTV, but am super frustrated.
Season one continues to be available in the CTV app for CTV Sci-fi subscribers, but I am really wondering about what the value of that subscription is.
There still are a few new shows (SurrealEstate, The Ark, SNW) that I watch, but they remove some new shows from the app super quickly. We have to record them in the PVR or by physical media as soon as it’s out.
OP has tagged Canada but it’s not shown in the plot.
I found it interesting that in recent articles quoting Kate Mulgrew on her conditions for Janeway to return in live action, the thing she most stressed was that she had told Alex Kurtzman that the quality of the writing would have to be meticulous.
She’s very happy with the writing for Janeway in Prodigy but sounds like she needs to be convinced that it would be the same in live action.
I have thought ‘Move Along Home’ was great since first broadcast.
DS9 hadn’t yet locked into its eventual tone, but I hold to my view that it’s an episode that wouldn’t have raised the ire of the ‘Dignity of Trek’ on just about any of the other shows in the franchise.
Congratulations on completing them. Nice results sincerely.
It’s here in Canada on digital via AppleTV.
Also @GoodAaron@startrek.website has confirmed on his Mastodon account that CTV continues to retain the licence but the EPs didn’t have any news on when it might run either.
I have to wonder if there are any standard ‘use it or lose it’ clauses that crystallize after a certain point in the contracts for streaming licences.
I enjoyed it. It helped me see how Georgiou’s had already begun her journey even before season two of Discovery and it was a fun ride.
Simon & Schuster has been careful to select the best of its established ‘Relaunch Novelverse’ group of authors to write the tie-in books for its new live-action shows.
If you like the action focus of John Jackson Miller’s other tie-in fiction for Star Trek or other franchises, you’ll definitely like this one.
Definitely above average among Trekbooks, but there are some outstanding by some of the others that would place higher.
He didn’t necessarily know that Pike would be an option. He likely didn’t know that Lorca would be an MU character.