"It seems like a reasonable response to me. As the size of an explosion increases, the number of social situations it is incapable of solving approaches zero. "

“So, I tied an onion to my belt, which was the style at the time. Now, to take the Ferry cost a nickel, and in those days nickels had pictures of Barclay on 'em. ‘Give me five Barclays for a quarter,’ you’d say. Now, where were we?”

One might even say… context is for kings?

…Is this a meme or a cry for help?

Don’t think they’re including shuttlecraft. It’s a bit hard to read but I can’t see the Cerritos’ Death Valley scanning through that area of the alphabet. I do note that Discovery is there in both original and -A format, which might be contentious since the ship is its own refit.

For me the Prodigy and Lower Decks theme songs are among the best in the franchise because they’re versatile. You can have a slow, tender violin motif from the LD theme such as when Tendi was telling Mariner that the Beta shifters were her family at the end of season 2. A slightly different part gets a brassy remix as the swelling Crisis Point theme music for the Cerritos.

Not all Trek melodies do this. Voyager’s got a lovely melody that feels appropriate for a grand trip homeward, but they tried using it at some big plot moments and it just felt wrong. Disco and TNG have the opposite problem where their themes are CONSTANT INTENSITY, so you don’t often see them used in softer moments. (The latter is very weird to me considering we have heard softer variations of the theme, maybe I just can’t think of any such uses in the series offhand).

Look, the man also directed First Contact (the movie, not the episode) and Those Old Scientists, which are generally well received. I think we can begrudge him one ghost-fuckin’ episode.

Dunno what you’re on about, that’s Captain Sonya Gomez.

Ensign Gomez was indeed not seen again.

(yes, I know this is still inaccurate)

You might want to see a doctor about that. But have fun!

In fairness, Adira does have a weird moment where they seem reticent about switching pronouns. But I’ll defend Disco’s representation because I think it’s just written with a different lens of how to treat queerness. The themes feel more modern, and more willing to explore what queerness is rather than treating it as something to be tolerated.

I’ll never forget my first watchthrough of Season 3 where Stamets refers to Adira as his child. I was floored because I’d mentally joked that Staments shoulda adopted them by now, but here the narrative was coming out and saying it. The writers dove deeper into themes like found family rather than retreading old ground. It’s heavy-handed at times, but it feels like queerness written for queer people.

T’Lyn’s story in Season 5 involves her and another character in an interesting way, and you see T’lyn embrace science and Starfleet more than I think people anticipate.

Until proven otherwise I’ll remain on the Sokel-is-T’Lyn’s-father boat and will assume this to be about him.

If it makes you feel better, Captain Chakotay had normal pips by the time the Protostar was commissioned. Guess Janeway just didn’t want to grant ranks away from Starfleet proper.

It’s pretty impressive since pure capsaicin tops out at 16 million, guess they started putting crazier spice moulecules in. Also makes Boimler’s pain in that episode less of a gag and more of a “how are you legally allowed to have this on your table?”

Kate Mulgrew-Janeway: I don’t have such weaknesses

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Oh, very clever Worf. Eat any good books lately?

minor bit of pedantry, a minute isn’t that silhouette the Kelvin-verse Enterprise?

Star Trek does this thing where formal rank isn’t actually as important as being in the captain’s in-group. Can you name anything important that provisional Lt. JG Ayala did on the USS Voyager? I sure as hell can’t, but it was less important than Harry “eternal ensign” Kim.

As much as the Lower Decks gang would like to think of themselves as unimportant, they’re very much confidants of the Cerritos’ senior staff so it’s illogical, but consistent for Boimler to be at the top of the list for acting captain when stuff’s going down.

Out of universe it’s obviously a narrative/screen time thing, I’d say you’ve just got to accept it and move on.

A bit of a weird episode in that the protagonists didn’t solve much, the two problems just sort of fizzled out for their own reasons.

Kind of surprised that Peanut Hamper was up for parole-- Memory Alpha doesn’t list a specific stardate for A Mathematically Perfect Redemption but judging by the adjacent years and the stardate AGIMUS listed she’s been in Daystrom for less than two years.

IMO this episode confirms that what we saw last week wasn’t an anomaly, Rutherford’s got it bad for Tendi. It’s kind of weird to have him focusing on her encouragement to the exclusion of Mariner (who was in his immediate vicinity!) otherwise.